Eighty years after The Gate opened with Henrik Ibsen’s Peer Gynt it celebrates its birthday with a new version of the classic realist drama Hedda Gabler, by Brian Friel.
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Welsh rock band ‘Funeral For A Friend’ have been around for a while but now they’ve launched their own label, ‘Join Us’, and released a new album, ‘Memory and Humanity’. Despite their busy schedule- they are in the middle of a UK tour- Ryan Richards, drummer and backing vocalist, took time out to talk to The Irish Critic. We find out about the new album and their rapid rise to fame.

Sinead Wallace uses a single source for her front light and I don’t like it. There. I said it- you’ll just have to deal with it. Funnily enough, ‘dealing with it’ is just what Bedrock Producions’ Wedding Day at the Cro-magnons’ is all about.
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Trinity College’s School of Drama, Film and Music in association with the Ministry of Culture of the Republic of Korea, the Korean Embassy, Dublin, the Ireland Korea Association and Loofen Association, is currently hosting a visiting production of Samuel Beckett’s ‘Waiting for Godot’ by the prestigious Sanwoollim Theatre from Seoul, South Korea in the Samuel Beckett Theatre this week.

Delirium is Enda Walsh’s extreme reinterpretation of Dostoevsky’s ‘The Brothers Karamazov’, a hybrid of obscene puppetry, surreal dance, provocative animation and sudden song that envelop the sensibilities of an audience and transport them to a horrorscape of a family dynamic that demands collapse. The overall projection of play is the destruction of that which is too far beyond us to attain- the persual of disinterested lovers, disinterested fathers, and disintegrating spirituality.
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“Ireland mustn’t be such a bad place so if the Yanks want to come to Ireland to do their filming”.
Set in 1934, the arrival of a Hollywood director to a nearby island is special news to the community of small rural Inishmaan. Not only more titillating than the reported news of a cat biting a goose’s tail, the promise of outside contact brings a particular sort of hope for Cripple Billy, an unloved boy whose chief form of amusement is gazing at cows to alleviate his endless boredom.