Theatre touring- or the distinct lack of- has become a real issue in the performance sector and is being treated as such. Mary Cloake articulates; ‘The concept of the regions is one which has assumed totemic importance in artistic and cultural policy in Ireland. Policies for the development of drama and policies for regional development have become inextricably entwined, particularly over the last twenty years’. The potential for theatre companies to tour is obviously fading as a result of economic crisis but, disregarding global financial anarchy, touring in Ireland has always been a problematic area for many reasons- the current economic downturn, and more specifically the recent Arts Council Funding Decision, have only intensified the already existing reality.
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Woman and Scarecrow, one of Irish playwright Marina Carr’s most recent plays, despite not being set anywhere in particular, addresses issues that are familiar to the Irish stage. While she takes a step away from the midlands of Ireland of previous plays like By the Bog of Cats and Portia Coughlan, she revisits themes and issues from these plays and develops them in a new way. Woman and Scarecrow, like numerous of Carr’s other plays, deals with issues and ideas surrounding death and the realm of the dead, the play revolving around the central character of ‘Woman’ who lingers precariously between the realms of the living and the dead, assessing and commenting upon her life from her sick bed. It plays with the boundaries of reality and fantasy or myth, the mythic realm of the dead and the undead, of ghosts and spirits.
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