Best Production: The Rehearsal: Playing the Dane , Pan Pan Theatre’s deconstruction of Hamlet, directed by Gavin Quinn
Best Actor: Marty Rea as the procrastinating prince in Second Age Theatre’s Hamlet , directed by Alan Stanford
Best Actress: Olwen Fouere as the woman in her translation of Laurent Gaudé’s Sodome, My Love , directed by Lynne Parker.
Best Supporting Actor: Laurence Kinlan as Mossy Lannigan in Christ Deliver Us! by Thomas Kilroy and directed by Wayne Jordan for the Abbey Theatre.
Best Supporting Actress: Eleanor Methven as Miss Prism in The Importance of Being Earnest , directed by Lynne Parker for Rough Magic.
Best Director: Selina Cartmell for Medea, produced by Siren Productions.
Best set: Aedín Cosgrove for The Rehearsal: Playing the Dane
Best Costume: Joan Bergin for Frank McGuinness’s new version of Ibsen’s John Gabriel Borkman .
Best Lighting: Sinead Wallace for Knives in Hens by David Harrower, directed by Alan Gilsenan
Best Sound: Dennis Clohessy for Sodome, My Love.
Best New Play: B for Baby by Carmel Winters, directed by Mikel Murfi for the Abbey Theatre.
Best opera: Virginia by Saverio Mercadante, directed by Kevin Newbury for Wexford Festival Opera.
Judges Special Award: Project Brand New, recognising the Project Arts Centre’s “dedication to supporting and providing a platform for . . . new work”.