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	<title>The Irish Critic</title>
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	<link>http://theirishcritic.com</link>
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	<pubDate>Thu, 04 Mar 2010 20:03:08 +0000</pubDate>
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			<item>
		<title>Minor Sea Gods of Maine</title>
		<link>http://theirishcritic.com/uncategorized/510/</link>
		<comments>http://theirishcritic.com/uncategorized/510/#comments</comments>
		<pubDate>Tue, 23 Feb 2010 02:35:13 +0000</pubDate>
		<dc:creator>Kathy</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[303 gallery]]></category>

		<category><![CDATA[chelsea galleries]]></category>

		<category><![CDATA[Inka Essenhigh]]></category>

		<category><![CDATA[minor sea gods of maine]]></category>

		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://theirishcritic.com/uncategorized/510/</guid>
		<description><![CDATA[
Viewing Inka Essenhigh’s ‘Minor Sea Gods of Maine’ reminds us of turning the first page of a wonderful storybook. We delve back into our imaginations and explore the celestial images of our dreams on canvas. A ghostly green sea seeps over rocks. Finely drawn waves form a frothy beaked gargoyle, sitting on the edge of [...]]]></description>
		<wfw:commentRss>http://theirishcritic.com/uncategorized/510/feed/</wfw:commentRss>
		</item>
		<item>
		<title>In Review: Measure for Measure</title>
		<link>http://theirishcritic.com/new-york-theatre/in-review-measure-for-measure/</link>
		<comments>http://theirishcritic.com/new-york-theatre/in-review-measure-for-measure/#comments</comments>
		<pubDate>Tue, 16 Feb 2010 19:52:03 +0000</pubDate>
		<dc:creator>Kathy</dc:creator>
		
		<category><![CDATA[New York Theatre]]></category>

		<category><![CDATA[Arin Arbus]]></category>

		<category><![CDATA[duke theater]]></category>

		<category><![CDATA[jefferson mays]]></category>

		<category><![CDATA[Measure for Measure]]></category>

		<category><![CDATA[rocco sisto]]></category>

		<category><![CDATA[Theatre for a new audience]]></category>

		<guid isPermaLink="false">http://theirishcritic.com/?p=504</guid>
		<description><![CDATA[
After a hugely successful debut with Othello last February, director Arin Arbus returns to Theater for a New Audience with another Shakespearian offering in the form of Measure for Measure, Shakespeare’s quintessential problem play. The story of a society dealing with extremism, puritanical religious views clashing with the reality of a sexually explicit society, the [...]]]></description>
		<wfw:commentRss>http://theirishcritic.com/new-york-theatre/in-review-measure-for-measure/feed/</wfw:commentRss>
		</item>
		<item>
		<title>In Review: Fish Tank</title>
		<link>http://theirishcritic.com/film/in-review-fish-tank/</link>
		<comments>http://theirishcritic.com/film/in-review-fish-tank/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 14:21:33 +0000</pubDate>
		<dc:creator>Kathy</dc:creator>
		
		<category><![CDATA[Film]]></category>

		<category><![CDATA[Andre Arnold]]></category>

		<category><![CDATA[andrea arnold]]></category>

		<category><![CDATA[british film]]></category>

		<category><![CDATA[essex]]></category>

		<category><![CDATA[fish tank]]></category>

		<category><![CDATA[fish tank review]]></category>

		<category><![CDATA[katie jarvis]]></category>

		<category><![CDATA[michael fassbender]]></category>

		<guid isPermaLink="false">http://theirishcritic.com/?p=498</guid>
		<description><![CDATA[
Towards the end of Fish Tank, Andrea Arnold’s most recent contribution to the film world and winner of the Jury’s award at the Cannes film festival, the heroine whips down her oversized tracksuit bottoms and urinates all over the carpet. Hurtling along at an unrelenting pace, the film has been building to this moment of [...]]]></description>
		<wfw:commentRss>http://theirishcritic.com/film/in-review-fish-tank/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Nomination for the Irish Times Theatre Awards</title>
		<link>http://theirishcritic.com/uncategorized/nomination-for-the-irish-times-theatre-awards/</link>
		<comments>http://theirishcritic.com/uncategorized/nomination-for-the-irish-times-theatre-awards/#comments</comments>
		<pubDate>Sat, 16 Jan 2010 15:39:44 +0000</pubDate>
		<dc:creator>Kathy</dc:creator>
		
		<category><![CDATA[Books]]></category>

		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[andrew bennett]]></category>

		<category><![CDATA[annie ryan]]></category>

		<category><![CDATA[berry mckinley]]></category>

		<category><![CDATA[conor lovett]]></category>

		<category><![CDATA[denis conway]]></category>

		<category><![CDATA[Garry Hynes]]></category>

		<category><![CDATA[gina moxley]]></category>

		<category><![CDATA[gylan tighe]]></category>

		<category><![CDATA[Irish Times Theatre Awards]]></category>

		<category><![CDATA[itish times theatre awards nominations]]></category>

		<category><![CDATA[kate brennan]]></category>

		<category><![CDATA[Loose Canon]]></category>

		<category><![CDATA[maeve fizgerald]]></category>

		<category><![CDATA[matt torney]]></category>

		<category><![CDATA[richard dormer]]></category>

		<category><![CDATA[stella mccusker]]></category>

		<category><![CDATA[stuart graham]]></category>

		<category><![CDATA[the stomach box]]></category>

		<guid isPermaLink="false">http://theirishcritic.com/?p=491</guid>
		<description><![CDATA[Nominations have been announced. Check if your predictions were right&#8230;

Best Actor
Denis Conway : As The Irish Man in the Druid Theatre’s production of The Gigli Concert by Tom Murphy, directed by Garry Hynes
Stuart Graham : As Ray in the Decadent Theatre’s production of Blackbird by David Harrower, directed by Andrew Flynn
Andrew Bennett: As A in [...]]]></description>
		<wfw:commentRss>http://theirishcritic.com/uncategorized/nomination-for-the-irish-times-theatre-awards/feed/</wfw:commentRss>
		</item>
		<item>
		<title>An Irish Export at the Public Theater</title>
		<link>http://theirishcritic.com/uncategorized/an-irish-export-at-the-public-theater/</link>
		<comments>http://theirishcritic.com/uncategorized/an-irish-export-at-the-public-theater/#comments</comments>
		<pubDate>Tue, 05 Jan 2010 18:18:44 +0000</pubDate>
		<dc:creator>Kathy</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[bealtaines]]></category>

		<category><![CDATA[brolkentalkers theatre company]]></category>

		<category><![CDATA[new york]]></category>

		<category><![CDATA[public theater]]></category>

		<category><![CDATA[sean millar]]></category>

		<category><![CDATA[Silver stars]]></category>

		<guid isPermaLink="false">http://theirishcritic.com/?p=488</guid>
		<description><![CDATA[
After a tedious run of Othello at the public theatre, a more exciting prospect has arrived in the form of an Irish export. ‘Silver Stars’, a home-grown collaboration by Sean Millar and Brokentalkers theatre company, is a song cycle based on the lives of older Irish gay men.

Commissioned in 2008 by Bealtaines, the show was [...]]]></description>
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		<title>Adam Marple and the Theatre of the Necessary</title>
		<link>http://theirishcritic.com/new-york-theatre/adam-marple-and-the-theatre-of-the-necessary/</link>
		<comments>http://theirishcritic.com/new-york-theatre/adam-marple-and-the-theatre-of-the-necessary/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 17:16:31 +0000</pubDate>
		<dc:creator>Kathy</dc:creator>
		
		<category><![CDATA[New York Theatre]]></category>

		<category><![CDATA[Adam Marple]]></category>

		<category><![CDATA[Anne Bogart]]></category>

		<category><![CDATA[necessary theatre]]></category>

		<category><![CDATA[romeo castellucci]]></category>

		<category><![CDATA[Tina Landau]]></category>

		<guid isPermaLink="false">http://theirishcritic.com/?p=484</guid>
		<description><![CDATA[
Peering out the window of a train from London to Stratford Upon Avon, Adam Marple, a young American director, admires the passing English countryside and puzzles at the ‘festival culture’ so important to the traditions of British theatre. “It’s strange”, he says, speaking in a typically slow, drawn out manner, his usual thoughtful tone bringing [...]]]></description>
		<wfw:commentRss>http://theirishcritic.com/new-york-theatre/adam-marple-and-the-theatre-of-the-necessary/feed/</wfw:commentRss>
		</item>
		<item>
		<title>John Mayer at the Beacon Theatre!</title>
		<link>http://theirishcritic.com/music/john-mayer-at-the-beacon-theatre/</link>
		<comments>http://theirishcritic.com/music/john-mayer-at-the-beacon-theatre/#comments</comments>
		<pubDate>Wed, 18 Nov 2009 05:57:33 +0000</pubDate>
		<dc:creator>Kathy</dc:creator>
		
		<category><![CDATA[Music]]></category>

		<category><![CDATA[battle studies]]></category>

		<category><![CDATA[beacon theater]]></category>

		<category><![CDATA[John Mayer]]></category>

		<category><![CDATA[mick jagger]]></category>

		<category><![CDATA[rolling stones]]></category>

		<guid isPermaLink="false">http://theirishcritic.com/?p=481</guid>
		<description><![CDATA[The first concert I&#8217;ve ever been to that involved commercial breaks, and suffered for it. Marketed as a concert with the filming for a TV station only mentioned as a side note, the organizers of John Mayer at the Beacon theater pretty much made an audience pay a hundred dollars a ticket to cheer and [...]]]></description>
		<wfw:commentRss>http://theirishcritic.com/music/john-mayer-at-the-beacon-theatre/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Candice Breitz performa 09!</title>
		<link>http://theirishcritic.com/new-york-theatre/candice-breitz-performa-09/</link>
		<comments>http://theirishcritic.com/new-york-theatre/candice-breitz-performa-09/#comments</comments>
		<pubDate>Tue, 17 Nov 2009 19:24:11 +0000</pubDate>
		<dc:creator>Kathy</dc:creator>
		
		<category><![CDATA[New York Theatre]]></category>

		<category><![CDATA[candice breitz]]></category>

		<category><![CDATA[new york]]></category>

		<category><![CDATA[peforma 09. abrons arts center]]></category>

		<guid isPermaLink="false">http://theirishcritic.com/?p=478</guid>
		<description><![CDATA[Candice Breitz&#8217; work, while definitely not purely novelty, has always been refreshing for its pure entertainment value. So often in contemporary American culture, artists strive to be artistic, to say something powerful through abstract means. Breitz has never fallen prey to this form of existential expression that requires a phD in literary criticism to decipher. [...]]]></description>
		<wfw:commentRss>http://theirishcritic.com/new-york-theatre/candice-breitz-performa-09/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Santaland Diaries</title>
		<link>http://theirishcritic.com/dublin_theatre/santaland-diaries/</link>
		<comments>http://theirishcritic.com/dublin_theatre/santaland-diaries/#comments</comments>
		<pubDate>Mon, 09 Nov 2009 22:20:37 +0000</pubDate>
		<dc:creator>The Irish Critic</dc:creator>
		
		<category><![CDATA[Dublin Theatre]]></category>

		<category><![CDATA[bewleys cafe theatre]]></category>

		<category><![CDATA[David Sedaris]]></category>

		<category><![CDATA[Joe Mantello]]></category>

		<category><![CDATA[patrick o'donnell]]></category>

		<category><![CDATA[santaland diares]]></category>

		<category><![CDATA[Stewart roche]]></category>

		<guid isPermaLink="false">http://theirishcritic.com/?p=476</guid>
		<description><![CDATA[THE SANTALAND DIARIES&#8230;.A Christmas Comedy for Adults&#8230;
By David Sedaris, adapted for the stage by Joe Mantello
Directed by Stewart Roche. Starring Patrick O&#8217;Donnell
&#8216;A remarkable performance&#8217;     SUNDAY BUSINESS POST**** (FOUR STARS)
&#8216;Hilarious&#8230;there are no end of laughs&#8217;     METRO**** (FOUR STARS)
It&#8217;s a classic story - one man suffers for our sins, and we are all [...]]]></description>
		<wfw:commentRss>http://theirishcritic.com/dublin_theatre/santaland-diaries/feed/</wfw:commentRss>
		</item>
		<item>
		<title>The Gigli Concert</title>
		<link>http://theirishcritic.com/dublin_theatre/the-gigli-concert-2/</link>
		<comments>http://theirishcritic.com/dublin_theatre/the-gigli-concert-2/#comments</comments>
		<pubDate>Thu, 22 Oct 2009 16:59:47 +0000</pubDate>
		<dc:creator>The Irish Critic</dc:creator>
		
		<category><![CDATA[Dublin Theatre]]></category>

		<category><![CDATA[Druid]]></category>

		<category><![CDATA[galway arts festival]]></category>

		<category><![CDATA[NASC]]></category>

		<category><![CDATA[the gigli concert]]></category>

		<category><![CDATA[tom murphy]]></category>

		<guid isPermaLink="false">http://theirishcritic.com/?p=474</guid>
		<description><![CDATA[Irish  Tour Nov. 12 – Dec. 19
The NASC touring network presents Druid’s  sell-out hit of this year’s Galway Arts Festival -The Gigli Concert by  Tom Murphy - a searching, challenging and funny story of hope and possibility  and above all the endurance of the human spirit.  This Druid production  [...]]]></description>
		<wfw:commentRss>http://theirishcritic.com/dublin_theatre/the-gigli-concert-2/feed/</wfw:commentRss>
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